I draw. I’ve been drawing since the first day someone gave me a pencil, the first time my hand was able to clasp that piece of wood with a coloured core trapped inside, warm, waiting to spread its magic. I often feel like that thin hidden stick, still waiting, even though I still draw, even though I’m not hiding. I’m that log of colour that just can’t wait to reach paper, to become, to be.
It took me years to make my work public, to push it into the light for public scrutiny, endanger my tiny almost non-existant ego with the not so soft noises that escape the mouths and keyboards of onlookers. I draw thoughts, emotions, fleeting passions and ephemeral pleads, and I showcase it so that people too disillusioned to understand the fragility of each stroke can point, question, disregard or ignore what part of me wants to say, while a few urge me onward, push me further, the beautiful ones, the tender souls that understand the deep connection between the nib of a pen and the unsaid.
I’ve often contemplated giving up, or keeping it all to myself, for it’s a part of me and not a whole, a few centimeters of heart and a few drops of soul, but then it hits me that someone out there is thankful, another appreciative, a few even understanding, some possibly detest my work which is quite a pleasurable thought for it means I stir up something brutal in them, animalistic maybe, and some more always expectant of what else my fingers can produce with that derisive twig of colour. I keep going for those, the few who dare express something, whatever it is, those who dare nod even though it can be difficult to stand by someone and their cause, even though understanding is a private notion, a secret twitch of the mind, a comforting little bell ringing in a distant corner spelling in morse: “you know”.